Mezzo-soprano Helen Karloski has been gaining recognition particularly in her portrayal of the oratorio repertoire. In 2015,she was the recipient of the Ellen Lopin Blair Award for First Place in the Lyndon Woodside Oratorio Solo Competition. The Santa Fe New Mexicanproclaimed “Her voice is beautifully suited for oratorio, and the sincerity of her delivery, along with her poised bearing and physical presentation, forged an almost palpable connection with the audience." Ms. Karloski’s 2018-19 season includes performances with the New York Philharmonic, Detroit Symphony Orchestra, Voices of Ascension, TENET Vocal Artists, the Choral Society of Grace Church, True Concord Voices and Orchestra, and the St. Andrew Music Society.

 

The New York Times wrote of her performance in Georg Philip Telemann's rarely performed oratorio Der Tag des Gerichts, "Helen Karloski commanded attention as Reason." Ms. Karloski made her Lincoln Center debut in Mozart’s Solemn Vespers with the Mostly Mozart Festival under the baton of Iván Fischer and her Carnegie Hall debut performing Mozart’s Mass in C Minorand Bruckner’s Te Deumunder the baton of Kent Tritle with the Oratorio Society of New York. Recent solo appearances include Pergolesi’s Stabat Materwith Harry Bicket and the Santa Fe Desert Chorale, Dvoƙák’s Stabat Mater with the Omaha Symphony, the world premier of Evan Fein’s Deborahwith Musica Sacra, Telemann’s Der Tag des Gerichtsand Beethoven’s Ninth Symphony with the American Classical Orchestra, Handel’s Messiah with the Masterwork Chorus and the Worcester Chorus, Copland’s In the Beginningwith Sacred Music in a Sacred Space and the Alto soloist in Mendelssohn’s A Midsummer Night’s Dreamwith the New York City Ballet. Other solo engagements include Vivaldi’s Gloria with the Pittsburgh Symphony Orchestra, Haydn’s Theresienmesse with Voices of Ascension, Bach’s Magnificat with the Victoria Bach Festival, Mendelssohn’s Elijahwith the Choral Society of Grace Church, and Brahms’ Alto Rhapsody with St. Andrew’s Music Society. Favorite performances include The Cunning Little Vixen (Hen), Le Grande Macabre, and My Fair Lady with the New York Philharmonic, Les Huguenots and Oresteia at Bard SummerScape, and the New York City premier of Elliot Goldenthal’s Grendel, directed by Academy Award-nominated Julie Taymor.  An accomplished ensemble singer, Ms. Karloski has appeared with Conspirare, where she was featured on the GRAMMY-winning recording The Sacred Spirit of Russia, Voices of Ascension, Musica Sacra, Seraphic Fire, True Concord, and the Santa Fe Desert Choral.